Artist of the Week: Mary Cassatt
Mary Cassatt was an artist of surprises, mostly small, but often subtle and
profound. Cassatt is known as a "painter of mothers and children." Mary
Cassatt often created images of the social and private lives of women,
with particular emphasis on the intimate bonds between mothers and
children. Mary Cassatt is considered the first American
Impressionist artist, she was born in
Pittsburgh and lived in France. Mary Stevenson Cassatt was born on May
22, 1844 in Allegheny City, Pennsylvania, into a well-to-do family. The
Cassatt family was of French Huguenot origin; they escaped persecutions
and came to New York in 1662. Cassatt grew up in an environment that
viewed travel as integral to education; she spent five years in Europe
and visited many of the capitals, including London, Paris, and Berlin.
Mary Cassatt had her first lessons in drawing and music while abroad and
learned German and French. Mary Cassatt's first exposure to French
artists
Ingres, Delacroix, Corot, and
Courbet was likely at the Paris World's Fair of 1855. Also exhibited at
the exhibition were Degas and Pissarro, both of whom would be future
colleagues and mentors.
Mary
Cassatt chose career over marriage, and left the United States in 1865
to travel and study in Europe. The fact that Mary Cassatt had chosen to
seek a vocation at all would have been startling to any well-to-do
parents of a daughter in the early 1860s. Her decision to become a
professional artist must have seemed beyond the pale, given that serious
painting was largely the domain of men in the 19th century. Often
traveling alone, Mary Cassatt studied in Paris, Rome, Parma and Seville,
before returning and settling permanently in the French capital in 1874.
Aided by her elder sister, Lydia, who joined Mary in Europe, she took an
apartment and studio. Lydia was not only her older sister, but also Mary
Cassatt's closest friend and often times her model. There are eleven
known works with Lydia, including "Lydia Crocheting in the Garden at
Marly." The painting, painted in Cassatt's early Impressionist manner,
was posed at Marly-le-Roi, some forty miles west of Paris, where the
artist's family spent the summer of 1880. The painting was included in
the exhibition held by the French Impressionists in Paris in 1881. The
most important influence on Cassatt in the years before 1875 was
exercised by
Edouard Manet. Although he did not
accept students, Mary Cassatt saw his works and they were much discussed
both by painters and art critics. The paintings she produced in this
period, of women flirting, tossing flowers, sharing refreshment with a
bullfighter, reveal a young artist eager to combine the skill of the Old
Masters with the adventuresome subject matter of the moderns. It was
while walking past a Paris gallery window in 1874 that Mary Cassatt
first saw a bold pastel of ballet dancers by
Edgar Degas. That same year, Degas saw
Cassatt's entry in the French Academy Salon. read more

Comments