Artist of the Week: Alphonse Mucha
Alphonse Mucha used position, sensuous curves derived from nature,
refined decorative elements and natural colors. The Art Nouveau precepts
were used, too, but never at the expense of his vision. Bernhardt signed
Alphonse Mucha to a six year contract to design her posters and sets and
costumes for her plays. Mucha was an overnight success at the age of 34,
after seven years of hard work in Paris. Mucha produced a flurry of
paintings, posters, advertisements, and book illustrations in what came
to be known as the Art Nouveau style. Alphonse Mucha's works frequently
featured beautiful healthy young women in flowing vaguely Neoclassical
looking robes, often surrounded by lush flowers which sometimes formed
haloes behind the women's heads.
Alphonse
Mucha shared a studio with Gauguin for a bit after his first trip to the
south seas. Mucha gave impromptu art lessons in the Cremerie and helped
start a traditional artists ball, Bal des Quat'z Arts. All the while
Alphonse Mucha was formulating his own theories and precepts of what he
wanted his art to be. On January 1, 1895, Alphonse Mucha presented his
new style to the citizens of Paris. Called upon over the
Christmas
holidays to created a poster for Sarah Bernhardt's play, Gismonda,
(shown here) he put his precepts to the test. The poster was the
declaration of his new art. Spurning the bright colors and the more
squarish shape of the more popular poster artists, the near life-size
design was a sensation. Overnight, Mucha's name became a household word
and, though his name is often used synonymously with the new movement in
art, he disavowed the connection.
Comments